Reggie grew up in a rich musical environment – one that nourished artists as stylistically diverse as pianists Jason Moran and Robert Glasper and guitarist Mike Moreno (featured on Freedmantown along with pianist Gerald Clayton and saxophonist Tim Warfield). They all attended Houston’s High School of the Performing and Visual Arts, where the teachers, said Reggie, were “incredibly devoted. They gave us a real head start.”
After graduating high school he ventured to the East Coast, more specifically, the Mannes School of Music at New School University where he got to study with three great drummers: Jimmy Cobb, Lewis Nash, and Kenny Washington. After some time honing his chops on the scene he returned to school earning his Master’s in Jazz Studies at the prestigious Juilliard School.
Noted as a “conscientious jazz drummer with a nimble and approachable style” (Nate Chinen, New York Times) he has played with such leading artists as Wynton and Branford Marsalis, Joe Lovano, Greg Osby and Christian McBride. With saxophonist Marcus Strickland, he played and lectured as part of Lincoln Center’s Jazz in the Schools program and frequently collaborates with the talented vocalist and pianist Enoch Smith Jr. who also appeared on Quinerly’s first project. He has toured various countries in Europe and Asia.
As an educator he has presented masterclasses at Tulane University(New Orleans), The Cultural Arts Center of Galicia, Spain and since 2012 he has created and implemented music curriculum for several school districts throughout northern New Jersey. These music programs teach children teamwork through the fundamentals of rhythm, melody, harmony and songwriting. As of 2014 the program has been in partnership with the Little Kids Rock program and offers instruction in percussion, guitar, bass, piano and voice. He is a member of Percussive Arts Society and the New Jersey Education Association.
Tierney was born in Los Angeles, but has long called Houston his home. He is a modern-day storyteller who creates works on paper and mixed media constructions. He uses the canon of African-American history and pop culture to help him create contemporary tales about life. By invoking colorful and emotionally charged figures from jazz, sports and literature, Tierney makes powerful and sensitive works that are both visually beautiful and politically provocative.
Tierney has exhibited his art widely throughout Texas and the U.S., including numerous solo exhibitions. His works are in the permanent collection of the Museum of Fine Arts, Houston; the Kansas City Jazz Museum, Kansas City, Missouri; Goldman Sachs, New York, New York; and the Federal Reserve Bank, Houston, Texas. He is the recipient of the Louis Comfort Tiffany Foundation Grant, a CACHH Visual Artist Grant, and a Kimbrough Visual Artist Grant.
Tierney has collaborated with noted jazz musicians; commissioned to create the jacket cover for jazz musician Don Byron’s 1999 CD, “Romance of the Unseen” on the Blue Note label and jazz pianist Randy Weston for a 2003 performance at the Miller Outdoor Theater. In 2008 he completed two major commissions; a limited edition print celebrating Da Camera of Houston’s 20th Anniversary and an outdoor mural entitled “Southern Sounds” for the Coleman Art Center in York, Alabama. Music and the creators of music are major influences in his work. It was in November 2009 that Tierney presented a solo exhibition in Houston, Texas, “Third Ward My Harlem.”
Mark Gunther has been many things in his life—student, hippie, cook, husband, carpenter, father, entrepreneur, athlete—but has always been an activist, musician, and dancer. In 2015 he received an MFA in creative writing from the University of San Francisco. His work has appeared in Thin Air magazine and Noctua journal. He currently is shopping his first novel.
A native of Moscow, Andrey emigrated to the United States in 1981. He received the 2009 Pushcart Prize Honorable Mention XXIII and has been nominated for the Pushcart Prize several times. Andrey has also been on the Short List for the PEN American Center Biennial Osterweil Poetry Award. His poems, essays, and short stories have appeared or are forthcoming in over 60 literary journals and anthologies, including Hawaii Review, Permafrost, and Puerto del Sol. He received his MFA in poetry from Vermont College. He runs the Intercultural Poetry Series in a popular literary club, Cornelia Street Café, in New York City.
Susan has published several books, most recently The Minor Apocalypse of Meena Krejci and It’s Not About the Dog: Stories. Her short stories have appeared widely in journals. Susan is a graduate of the University of Iowa Writers’ Workshop and has taught fiction writing in the low residency MFA program at Antioch University, Los Angeles, the UCLA Extension Writers’ Program, the University of Southern California, and the Iowa Summer Writing Festival at the University of Iowa.
Sarah is a poet, essayist, and fiction writer who holds an MFA in creative writing from Long Island University in Brooklyn and has been published in Downtown Brooklyn, visceral brooklyn, Brooklyn Paramount, PoeticDiversity, Vagabond City Lit, The Frisky, and Ducts. She has attended the Aspen Writers’ Conferences and studied with Jessica Hagedorn, Erin Belieu, and Barbara Henning.
Ramón is the author of two books of poetry, The Chronicles (Red Hen Press, 2015) and Other Countries (What Books Press, 2010), and a scholarly art book entitled Ricardo Valverde (University of Minnesota Press, 2013). The Chronicles was a finalist for the International Latino Book Award in the category of Poetry Book in English. His poetry has appeared in a variety of journals and anthologies including Best American Poetry 1996, Ambit, The Floating Borderlands: Twenty-Five Years of US-Hispanic Literature, Crab Orchard Review, Poetry Salzburg Review, Los Angeles Review, and Mandorla: New Writing from the Americas. He teaches at California State University, Northridge, and lives in downtown Los Angeles.
Rachel is a teacher, writer, actor, and sometime aerialist living in Brooklyn, New York. She completed her MFA in Creative Writing at The New School, and her work has been published in the Los Angeles Times, the Washington Post, Crab Creek Review, Off The Coast Poetry Journal, Postcard Poems and Prose, and Forage Poetry Journal. She is working on her first book, a true crime/memoir. Follow her (please) on Twitter @RaeRear.